Artist: Bobby Orlando: mp3 download Genre(s): Blues Electronic Country Bobby Orlando's discography: The Best of the musica 80s Vol 2 Year: 1987 Tracks: 12 The Best of the musica 80's Vol 5 Year: Tracks: 13 The Best of the musica 80's Vol 4 Year: Tracks: 12 The Best of the Best of the musica80s Vol 1 Year: Tracks: 12 Producer Bobby Orlando became a legend in the '80s through a mass of disco music and Hi-NRG records released on his independent mark, O Records. The son of a Westchester, NY, school teacher, Orlando boxed true kO'd of high school and listened to Alice Cooper and T. Rex. He off down a greco-Roman medicine scholarship, instead performing Johnny Thunder-style guitar in teenager sparkle bands. Swept up by disco, Orlando engineered "Dancin'" by Todd Forester in 1977. The call featured the galloping sea bass part contrast developed by synth-phenom Giorgio Moroder, wHO Orlando strove to emulate throughout his life history. Orlando as well highly-developed a womb-to-tomb fascination with the studio beau idealistic of ABBA. In 1980, Orlando masterminded the 1st-class mail Lyn Todd album, before setting up O Records. The number one releases, "Just a Gigolo" by Barbie & the Kens and "Change of Life" by I Spy, made Billboard's dance chart. As disco died, Orlando unflinchingly overflowing the market place with beat-heavy blasts. Some, like Roni Griffith's "Desire" and "Take a Chance on Me" by Waterfront Home, became golf golf club hits. Also in 1980, Divine came to Orlando for his production expertness, and the mate unleashed a string of notoriously successful singles. Orlando so devised the Flirts, a figurehead trinity of revolving beauties to perform his songs. Orlando's Nunzio Brocheno Productions as well produced Lisa Lisa & Cult Jam and Full Force. This subway rage social movement was dubbed Hi-NRG and light-emitting diode Smash Hits writer and Pet Shop Boy Neil Tennant to seek out Orlando. Orlando launched the career of the British twosome, including an early rendering of "West End Girls." The Pet Shop Boys left for EMI and worldwide achiever. Hurt by the want of gratitude from his volume stable of artists, Orlando gentle phased out of his music empire. He returned to his law studies and finished a rule book called Darwin Destroyed, refuting the possibility of development. In the '90s, he began some other pronounce, Reputation Records. |